“Far Behind” CandleBox Guitar Tab
This is an older song that has a great opening guitar riff and just about everyone has heard it before. It was on the radio… Read More »“Far Behind” CandleBox Guitar Tab
This is an older song that has a great opening guitar riff and just about everyone has heard it before. It was on the radio… Read More »“Far Behind” CandleBox Guitar Tab
I wanted to post this just to have a quick guide up for a reference when needing a different scale pattern to use on the fly. This info came from a variety of sources that I found while browsing around the other day. So, Let’s start with the basic patterns for the main scales everyone needs to know.
A Minor PentatonicRead More »Guitar Scales Cheat Sheet
Danelectro is a company that used to make amplifiers for electric guitars back in the 40’s-50’s before going into manufacturing their own line of guitars,… Read More »Danelectro “Mini” Guitar Effects
DOD released the FX86 Death Metal by early 1994, probably at the same time as the FX33 Buzz Box. Designed for use with guitar or bass, the FX86 was painted solid black with a blood-red splatter finish befitting its name. The FX86 was unique among DOD’s distortion pedals in that it featured three bands of eq but no distortion gain control, resulting in a somewhat limited pallette of distorted sounds (but perfect for extreme metal).
DOD’s self-imposed limit of four control knobs became readily apparent with the FX86, and made it clear that no DOD pedal would ever feature concentric pots (which Boss began using in three different pedals released in 1991, including their MT-2 Metal Zone). The FX86 Death Metal sold well but was ultimately replaced by the final-series FX86B Death Metal Distortion in 1998.
The Bass V-Amp Pro is a rack mounted effects and amp modeler that gives out some great clean tones that can be used for Bass,… Read More »Bass V-Amp Pro Setup Tips
Here’s a quick tip I found for adjusting the pickups on your electric guitar to help maximize output. The distance between pickup and string is… Read More »Adjusting Pickup Height for your Guitar or Bass
Equalizing is the most important part of mastering the audio tracks that you have recorded. Without it, everything would sound muddy, garbled and lifeless. Each instrument has a range from roughly 20Hz to 20kHz, with the majority of the sound in the 400Hz-16kHz frequencies. When you are recording one instrument, it sounds fine because it used the full spectrum and has clarity, but when you add 4+ instruments, now they all are muddying up the spectrum which gives you a uneven sound with some instruments overpowering others.Read More »Mixing Your Sound; Working with EQ
There’s no “set-in-stone” method to writing a song. Each type of music is a little bit different than the rest, which is what gives them their “oomph”. The beauty of music is it can be anything, Phil Collins made songs using just drum beats and a melody, Skrillex and Dead Mau5 layer noise on top of bass beats for their songs. Each way is different yet all are still popular. Here’s a handy quick-sheet for coming up with your own songs.Read More »Creating Your Own Hit Songs
It’s really amazing what you can do with an iPad. I just bought a Griffin Guitar Connect to plug my guitar into my iPad so that I can use it for a amp simulator / effects unit, same thing as the iRig. This literally changes everything about recording an playing guitar.
You can now go anywhere and compose a new track, record multiple tracks along with drums, bass and vocals, or even play live with an assortment of different amplifiers and effects. These are a few of the apps that I’ve been playing with over the weekend.Read More »Recording Guitar with the iPad
Although his setup was as simple as can be, the cutthroat tone that launched forth from his axe is seldom achieved by amateurs and professionals alike. It’s probably the most sought after sound in the metal community, and has been ever since he emerged on the scene with Pantera in the early 90’s.
Pantera themselves were a force more innovative than any other during that period, forming a mechanical tightness that has been constantly imitated but never surpassed.Read More »Dimebag Darrell Tone