Guitar Tone Settings

So I found a whole list of general settings for different guitar sounds.  These are just the basics for the overall tone and not as in-depth as you may want. how often can i use ivermectin You can use these to give yourself a good starting point and then Google more info about the guitarist you’re trying to emulate and see what effects they use on top of the initial amp sound. ivermectin paste for lyme dosage Give ’em a try and see if it helps you! dosing goat for 5 mg ivermectin pour on

Gee-tars!Gee-tars!

Jimi Hendrix of Jimi Hendrix Experiance Gain – 4
Treble – 5
Mid – 5
Bass – 8
Reverb – 5

John Petrucci of Dream Theatre
1)Clean Channel:
Preamp Mode: Rhythm 1 Yellow
Gain: 6
Treble: 6.5
Middle: 3.5
Bass: 3
Lead 1 Drive: 0
Lead 2 Drive: 0
Master: 5.5
Presence: 8
Dynamic Voice: 7
Power Amps set on Deep And Modern

2)Main Distortion Channel:
Preamp Mode: Lead 1 Red
Gain: 6
Treble: 6
Middle: 6
Bass: 4.5
Lead 1 Drive: 4.5
Lead 2 Drive: 0
Master: 4
Presence: 6.5
Dynamic Voice: 6.5
Power Amps set on Deep And Modern

3)Lead Channel:
Preamp Mode: Lead 2 Yellow (MarkII Lead Sound)
Gain: 7.5
Treble: 4.5
Middle: 4
Bass: 5.5
Lead 1 Drive: 0
Lead 2 Drive: 6.5 Master: 6
Presence: 0
Dynamic Voice: 3

4)EFFECTS CHAIN:
Clean Sound – basic chorus sound
Lead Sound – 602 and 460 millisecond delay with 3 repeats
Crunch – 26 milliseconds delay

Tom Morello of Audioslave/Rage Against the Machine
Gain – 7
Treble – 10
Mid – 4
Bass – 4
Reverb – 0

Eric Clapton of Eric Clapton 
Gain – 7
Teble – 5
Mid – 7
Bass – 7
Presence – 8

Mick Thompson of Slipknot 
Gain – 9-10
Treble – 8
Mid – 7
Bass – 8
Reverb – 2
Note tuning of B F B E Gsharp Csharp (low to high)

Jimmy Page of Led Zeppelin
Gain – 4
Treble – 8
Mid – 3
Bass – 7
Reverb – 2

Kurt Cobain of Nirvana
Gain – 7
Treble – 7
Mid – 4
Bass – 3
Reverb – 2

Eddie Van Halen of Van Halen
Gain – 6
Treble – 4
Mid – 3
Bass- 9
Reverb – 4

John Frusciante of Red Hot Chili Peppers
Gain – 4
Treble – 8
Mid – 2
Bass – 6
Reverb – 7

Kirk Hammet of Metallica
Gain – 7
Treble – 7
Mid – 2
Bass – 7
Reverb – 2

Keith Richards of Rolling Stones
Gain – 4.5
Treble – 4.5
Mid – 6.5
Bass – 5.5
Reverb – 1.5
Note use of open G tuning, D G D G B D (low to high)

The Edge of U2
Gain – 1.5
Treble – 7
Mid – 5
Bass – 3
Reverb – 8.5

Brian May of Queen
Gain – 8.5
Treble – 4
Mid – 9
Bass – 5.5
Reverb – 4
Note Brian famously uses old sixpences to pick the strings of his guitar.

Slash of Guns N’ Roses 
Gain – 6.5
Treble – 4.5
Mid – 7
Bass – 7
Presence ? 8

Dimebag Darrel of Pantera
Gain – 7
Treble – 10
Mid – 4
Bass – 9
Reverb ? 0

Billie Joe Armstrong (newer) of Green Day
Drive – 6
Treble – 10
Mid – 8
Bass – 5
Reverb ? 3

Billie Joe Armstrong (older) of Green Day
Gain:9
Treble:10
Mid:8
Bass:5
Reverb:3

Dave Sullivan of Iron Maiden
Drive – 7
Treble – 9
Mid – 7
Bass – 4
Reverb – 0
Use your brigde humbucker – I find this tone to be excellent for Maiden – The Trooper, Hallowed especially

Gary Moore of Thin Lizzy
Bass 7
Treble 7
Mids 8-10
Gain 5-7 depends on song
Coutour at 3-4 not so high to suck the mids but not os low to sound crappy
maybe a splash of reverb
Neck pickup

Dave Grohl of Foo Fighters
Distortion:8
Treble:7
Middle:5
Bass:3
Reverb:3 (room)

Joe Walsh of Eagles
Treble: 7
Bass:3
Mid: 4
Master:3
Reverb:2
Presence:3

Billy Corgan of Smashing Pumpkins
For songs like 1979:

Bass: 8
Mid: 7
High/Treble: 6
Pickup Position: 2 or 4 (Strat)

For heavier songs like Zero or Jellybelly:

Bass: 10
Mid: 4
High/Treble: 8

Use a thick heavy distortion with medium tone and a lot of sustain.

Angus Young of AC/DC
Gain – 5
Treble – 10
Mid – 10
Bass – 5

Gary Rossington of Lynyrd Skynyrd 
Treble – 5
Mid – 10
Bass – 5
Gain – 2-3

Mike McCready of Pearl Jam
Treble: 7
Mid: 7
Low: 5

Daron Malakian of System of a Down
Amp Used: Crate VFX5212
Gain: 8
Treble: 6-7
Mids: 3-5
Bass: 10
Presence: 8
Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb)

Tony Iommi of Black Sabbath
Gain – 7 or 8
Bass – 6
Middle – 6
Treble – 6
Channel – Overdrive

Kirk Hammett of Metallica
Gain – 9
Bass – 7
Mids – 2
Treble – 10
Reverb – 3
Channel – Distortion

Kirk Hammett 2 of Metallica
Gain – 7
Treble – 7
Mid – 2
Bass – 7
Reverb – 2
Channel – Distortion

Mick Mars of Motley Crue
Gain – 3
Bass – 2-3
Contour – 2-3
Treble – 10
Channel – Overdrive

Kurt Cobain of Nirvana
Gain – 7
Treble – 7
Mid – 4
Bass – 3
Reverb – 2
Channel – Overdrive

Kurt Cobain – Chorus Effect bits of Nirvana
Effects/Other – Ibanez CF-7 Pedal
Speed- 10
Depth- 5
Delay Time- 0 or 1.5
Regen- 3

Mick Thompson of Slipknot
Gain – 9-10
Treble – 8
Mid – 7
Bass – 8
Reverb – 2
Effects/Other – Tuning of B F B E G# C# (low to high)
Channel – Distortion

Noel Gallagher of Oasis
Gain- 5.5
Volume- 10
Treble- 7
Middle- 5.5
Bass- 4.5

Steve Jones of Sex Pistols 
Gain- 7
Volume- 10
Treble- 8.5
Middle- 6
Bass- 4

David Gilmour of Pink Floyd 
Bass: 10
Middle: 6.5
Treble: 10
Gain: 1.5

or

Gain-2-3
Treble- 7-8
Mids- 9-10
Bass- 5-6
Reverb- 60-70%

Joe Perry of Aerosmith
Gain: 5.5
Treble: 2
Mid: 7
Bass: 2
Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture)

Billy Gibbons of ZZ Top
Treble: 3
Middle: 10
Bass: 10
Prescense: 10
Gain: about 5 (crunchy type of sound)
Use a Les Paul guitar with not to much output in the pups and select both!

Randy Rhoads of Black Sabbath 
Gain 7
Bass 7
Mids 7
Treble 10
Reverb 0

Steve Vai
Clean:
Treble: 8
Mid: 5
Bass: 4

Lead:
Presence: 6
Treble: 6
Mid: 7
Bass: 7
Gain: 8

Sublime
General
Treble 9-10
mid:0
bass: 7
with a hint of chorus…on clean

Kerry King
Gain – 9-10
Treble – 10
Mid – 4
Bass – 6-7
Reverb – 3

Leave a Reply

Your email address will not be published.

This site uses Akismet to reduce spam. Learn how your comment data is processed.